Now that I had a chance to look at my water painting for a couple of weeks, I saw a major fault with the painting. I showed too much detail in the dark areas and no details at all in the blue areas. Instead of depicting contrast, a sunken feeling of imbalance was forged.
I know my motivation was curiosity, something to do, something to try so I should keep stoking that fire. My first mental sketch was for something that is impressionistic, nondescript and yet able to present a clear image of the subject matter. Perhaps I was trying to invent a Rorschach blot? Could it be that I have a very misguided understanding of pointillism and was trying to adulterate that with my experimentation?
Time to throw logic to the wind and grab my brush and ameliorate the experiment. Not the time to be pensive.
Basically I was writing in a lot more information, not only in the blue sections, but all over the paper. I was juxtaposing my blue lines with my ink lines, hoping that as they intersect, some of the crossings would be serendipitous, creating those short lines that I was looking for in the first place. I was so consumed by that process that I didn't want to disrupt that rhythm by snapping a photo to document the progress. Not even when I had to switch brushes.
So here's the new face, or phase, of my water project.
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