Creating my own cloud nine

I am now ready to fill in the space above my landscape done in lotus leaf chuen.

I want to continue with my observation of contrast, especially with light values.  I am looking for a subject matter that will allow me the greatest freedom.  The logical choice for that vast expanse above the mountains is cloud.

But how do I make clouds pop on a white piece of Xuan?

Paint the clouds in various degree of grey, or black.  Or not?

I am going to be bold and unconventional.  If I can paint snow with the help of alum solution, why can't I do the same with clouds.  Obviously I need a dark sky to reveal the white clouds.  It is worth a try.

Using a clean brush, I paint in the cloud pattern with alum solution on the back of the Xuan.  I want to paint in the cumulus clouds.  Heaps of lumpy white patches.  I am trying to avoid the cirrus clouds, which will be more difficult to describe, especially with my present skill set.

Patiently waiting for the alum solution to dry, I apply a light ink wash to help reveal my alum tracks.

The top side of the painting now looks like this when dry

From this base value, I begin to darken the sky a little more to create a more pronounced contrast with the white clouds

So the darker sky definitely adds more drama to the painting.  I know a black sky is against the common wisdom but I use that to make the clouds pop.  I might have overdid it in the above example and I have obscured some of my alum tracks with the darker ink.  In retrospect I think the initial lighter sky is more interesting, with more clouds evident in the sky.  In fact the clouds look more like cirrus cloud in the lighter version, and perhaps more expressive.

Well it is a little too late to cry over spilled milk, so I double down on it by making the sky even darker, and also the right side of the mountain range a little darker, to be in complement with the darker sky.

The painting looks a little rough around the edges upon close examination.  The ruggedness however seems to have added tension and raw emotion to this work, especially when viewed from a distance, and under the right lighting.

Like any proud, new parent, I only see the good sides of my newborn; even if he/she is ugly.

This painting has contrast, has drama, has the tension of East versus West attributes.  I have tried in earnest to apply what I have learned from my previous snow paintings and stay on my path of experimentation and discovery.  What more can I demand.  I am allowed to be narcissistic and indulge myself a bit.

I am on Cloud Nine!