On a whim

It was almost midnight. 

I should be climbing into my bed.  Not because I was afraid to turn into a pumpkin, but I just wanted to have a good showing on my Apple Health app to say that I had healthy sleep habits.

But I'm a night owl.  Somehow I was reluctant to let the day go.  So I continued to scroll through songs on my music streaming device.  Any excuse to clutch the waning day. 

Then an album cover turned up, a lady's headshot.

For some reason I was so enamored with her image, I had to paint her; immediately.

Perhaps I had been studying Xu Beihong and his studies with sketching and what not, I instinctively grabbed my charcoal and started to sketch on Xuan paper.  I filled in the grayscale values with my brush wash which I didn’t empty from the day before, which was basically very diluted ink.  Her hair reminded me of the tail and mane on a horse, brushstroke-wise.  I had no training per se in painting portraits but that didn't stop me.  I was on a whim.

By the time the painting was done, it was already a new day.   I just left the painting as it was and went to bed satisfied, like a child having received a new toy.

I decided to take a closer look at what I had done the night before.  I examined it in the daylight.

 

That's when I realized that her nose was too flat and one of her nostril seemed to have collapsed.  Her eyebrows were not symmetrical.  Her mouth was off center or I should say that she had more lips on one side than the other.

I tried to rescue or hide my mistakes by draping her hair closer t the face to conceal the brow and lip, and re-shaping one of her nostrils.

Since my iPad came with certain artistic brushstrokes, I thought I gave it a try.

Combed her hair a bit, less wild, and a backlit highlight effect, 

That was actually fun.  I was on a wimp.

Bony legs

When I toyed with painting horses a few months back, I was serious about it; more than an whimsical fleeting infatuation anyways.  I thought about how da Vinci studied musculature anatomy of humans in order to better his portrayal of the homo sapiens species.  So I sought reference in the equine muscle diagrams.

Then I realized that wasn't the whole story.  The well developed shoulder muscles and the bulky rump are tied to skinny, bony legs.  Horses are unlike pigs or rhinos that position themselves on stubby appendages.  Unless they are draft horses ? These bony legs help to personify the agility of the horse.

Not that long ago it was NBA playoff time.  A lot of these elite athletes have skinny, bony legs.  I would have guessed that they have bulging calf muscles.  But then when I see some of these players wrapping their legs due to calf injuries I realized that what makes a person jump is more than the calf muscle.  Amongst other things, it also requires the Achilles tendon pulling on the heel bone to springboard off the ground.  There is a multiplying of amplitude advantage when one considers the foot as a lever, with the fulcrum set at the ankle.  For everything to work, the muscle has to contract and the tendon has to pull.  Of course there's no free lunch.  The trade off for amplified flexion is that the muscles are required to contract harder and the ligament and tendon pulling tighter.  A pulley system is just the opposite, it attains the mechanical advantage of lifting heavy weights by making us pull a lot of ropes. The picture I get in my head is the handbrake cable on my bicycle.  When I squeeze my brake lever, a steel cable inside a plastic tube slides accordingly and pulls on the brake calipers.  All hell breaks loose when the cable breaks, or when the plastic tubing gets split open or dislodged, allowing the cable to be squirrelly to the  plastic conduit and not translate the force.  Wrapping the leg helps to keep everything in place.  

Then Halliburton of the Indiana Pacers suffered a season ending injury on the final game of the NBA playoffs.  His cable broke and the lever could not be actuated. He was left face down on the court in total agony.

Horses have spindly looking legs for a different reason.

What one would normally consider or assume as the leg is actually the foot ( the metatarsal ).  A very long foot.  The front leg, or hand if you will, is represented by the long metacarpal. Horses have modified toes ( pastern bones ) and they are on their hoofs all the time.  I suppose that's where the term "be on your toes" comes from.

It is the metatarsals and metacarpals that give the impression that horses stand on stilts. 

So I should practice painting the leg ( metatarsal ) of a horse.  A long stick with protrusions on both ends, similar to a segment of bamboo stem.  Shouldn't be that difficult.  Right?

Whenever the topic of painting horses is mentioned, one name always comes up, Xu Beihong (1895-1953).  Mr. Xu was a Chinese painter who was well versed in the traditional Chinese brush art, and subsequently studied sketching and oil painting in France.  In spite of his huge success overseas, he came back to China on his own volition to champion the incorporation of  Western techniques and theories into traditional Chinese painting to shake off the impressions of being stale and stagnant as a result of rote learning.

The following example of a horse painting by Xu Beihong exemplifies his sketching virtuosity in defining the chest and shoulder muscles of the animal.  The foreshortening and the taller than normal aspect is as though it was a photo taken with a wide angle lens close to the ground.  The sort of techniques used in automotive or real estate photography, in order to present a more imposing posture of the subject matter.  Of course his command of the brush and ink and void spaces is in full display with his brushstrokes.

So I studied his painting by copying.  Rote learning.  Hoping that some of his genius would rub off on me. 

I found a few other examples to copy,

I shall keep working at it.  I promised myself. 

 

Horsing Around (with horses this time)

The last time that I was horsing around, I was trying to paint a herd of zebras back in 2009.  I was more intrigued with the black and white contrast and the shape of the herd.

My motivation for horsing around this time is because of the Year of the Horse in our lunar calendar.  You can say that I am trying a little  harder, and with a little more heart.

I started out by sketching a horse on my sketch book with a brush fountain pen,  just to get a feel of how the animal might look with brushed lines.

 

 

Then I started in earnest with a Chinese brush to doodle on Xuan paper.

 

 

 

I found a reference book with paintings of horses by Xu Beihong( 1895 -1953).  Mr.Xu is acknowledged as an authority of  horse painting in modern Chinese painting.  I tried to study and emulate his brushstrokes and style.  He actually spent some time studying drawing and oil painting in Paris.  I think his horses display a strong sense of Chinese brush strokes mixed with a western flavor  of anatomy and shading.

 

 

 

 

Emboldened by his examples, I tried the following

 

 

 

Using a combination of brush fountain pen, Chinese brush and charcoal, I rendered this horse on drawing pad as the model for my horse painting.

 

 

 

This time around I line drew the horse on Xuan with brush and ink.

 

 

 

Filled in shading.

 

 

 

 

Touched up my lines.  Using the coffee that I was drinking to add further shading.  I thought that added warmth to the tone.