Reflection

The year of the Rat certainly is a strange one to say the least.  I honestly thought I was going to push at least a couple more pins to my world atlas on the cork board to remind myself where I had been, in case my gray matter continues to shrink.  I almost bought my fares for travelling, fortunately procrastination saved my bacon.

Obviously I have ample opportunity to reflect on places where I had left my footprints; especially poignant when I am not allowed to venture too far these days due to the pandemic.  I don't want to be embroiled in today's issues but being a septuagenarian I can't help but reflect on my experiences here and abroad, both good and bad; privileged and not so privileged.  I recall the early days of  becoming a pharmacist, as a member of the most trustworthy profession who happens to be of  a minority race here.  Oh, so dichotomous!  I remember asking my colleagues what gook meant, since some of the people I served addressed me by that name and I've not had the good fortune of learning that word when I was studying English in Hong Kong.

What I was reflecting on these past few weeks was actually something more tranquil, a waterfowl refuge.  I used to frequent this sanctuary quite often before I hung up my white smock for good since it was not too far from my place of employment.  I used to go there to relax and forget about filling prescriptions.

I shall attempt to put my thoughts on Xuan.

I wanted to portray a levy in this refuge, and the reflection of this levy in the water of course.  I wrestled with myself a little bit as where to locate the levy.  Ideally it would be right smack in the middle of the paper so I could devote the same amount of attention to the reflection in the water, but I remembered being told that this would be bad composition.  I decided on a compromise;  levy bisecting the paper, but with a little footbridge access on one side to break the line up.  

I folded my un-sized Xuan into halves, and I would paint my levy on the crease line.

I decided for a half submerged access to add a little interest to the otherwise straight horizontal line.

The color looks more saturated when wet but dries to a much lighter value.  This is especially true when painting with Xuan.

For the reflection in the water, I cheated by folding the paper over and sort of traced the trees from the other side since the paper is translucent. 

I used a rather dry, hairs split brush to paint my reflection.  My brushstrokes were all in the side-tip fashion, revealing texture and shape.   Keeping it loose was the mantra. 

Adding color values to my brushstrokes 

The white specks in the attached insert is actually blemishes of the Xuan.  When errant drops of alum solution landed onto this un-sized Xuan during the manufacturing process, they dried to form these color resistant spots.  This is how I was inspired to start painting with alum solution, to take advantage of its dual property both as a mordant and as a resist when painting on un-sized Xuan. 

Working in my reflection

And the corresponding hilly features above the water.

Mixing a little cinnabar with light ink I concocted an atmospheric wash.

When dried

Good place to stop.  This painting will be pinned on my wall and I would cast it occasional glances and I'll allow the painting to tell me what to do next.